Vulture’s 2018 Guide to Soundcloud Rappers wherein they’re classified by name: “The Lil’s” (Lil Pump/Xan/Skies/Wop/Yachty/Uzi Vert/Peep), “The Adjectives”, “The Creative Spellers”, and “The (Almost) Full Sentences”.
I’ll take this one.
ExecutedToday.com has been publishing “the story of an historical execution that took place on this date, and the story behind it” since October 2007.
The death penalty, as a subset within that vast category of “acts of violence homo sapiens do to their fellows,” blends insensibly into a dozen adjacent territories — murder, assassination, warfare, torture, low crime and high statecraft, even suicide.
That being said, it does not aim to be “an all-purpose chronicle of human cruelty.”
Because Internet. And why not, really?
Via co-worker DH. Dara Ó Briain on how Racism is better than Astrology:
Racism is one of the worst social evils they can imagine. “How dare you do that?” they say. "How dare you ascribe to me personality traits? You don’t even know me, but you tell me that you know me, and you know these things about me, and you say I share these personality traits with this huge group of people, and I don’t know them, you don’t know them, and you say not only do we have the same character traits, but we have some sort of common history and some common destiny, and you make all of these horrible presumptions on the back of what? On the back of a fluke of birth. How dare you do that?
What? Ooh, Capricorn.
Decent thriller. Cannot get over the fact that the antagonist’s makeup was awful and kept reminding me of the coconut and turmeric Varalakshmi Puja heads from my childhood 1.
Which looks like this in a cheap wig
Which, in turn, remind me of Jivaro shrunken heads.↩︎
Because I saw Naseeruddin Shah and Anupam Kher in the cast. And they were excellent.
The climax is an absolute knock-out with an accolade-winning speech by Naseer who becomes a flag-bearer for all those nameless, ordinary people battling with this modern-day scourge, the world over. The highpoint of the film is the class act by the two stalwarts of the industry: Naseer and Anupam pitch in riveting performances as the shuffling, seemingly inconsequential, nameless bomber and the no-nonsense cop. Add to this some finely nuanced acts by Jimmy Shergill and Aamir Bashir and you have a topical, gritty, high-adrenalin drama.
Neeraj Pandey wrote and directed “Special 26” as well.
Title made me think it was a sequel. Not bad as far as remakes go.
Terrible. Expected this, so not sure why I did this to myself. Thought it was a weird mashup of Varsham and Dredd. Features this ‘Grandmaster Shifuji’ who attempts to act like a Kung Fu/Kalari master in the movie and a combat veteran and “special forces trainer” in real life.
Watching what they did to Sunil Grover and Sanjay Mishra’s talents was depressing. As for Kota Srinivasa Rao: they used a North Indian voice actor to dub over his South Indian accent… with a ghastly South Indian accent 😐
Just terrible.
Ross Pomeroy for RealClearScience, “What’s the Most Efficient Language?”
[. . .] travel the world and record at least a dozen speakers of every language reading those passages aloud at their normal cadence. Count the overall number of syllables used for each passage and measure the time it took subjects to read their passage. Divide the syllable count by time to get the number of syllables spoken per second. Next, come up with some value for how much meaning is packed into each syllable, which will give you an average information density per syllable. Finally, use those values to derive an “information rate.”
and
English came out on top, but not by much. Most of languages grouped pretty closely together, however, Japanese lagged behind the rest. Interestingly, the languages that conveyed the least amount of information per syllable, like Spanish, Japanese, and French, tended to be spoken at a faster rate. This allowed these languages (apart from Japanese) to deliver a similar amount of information compared to more meaning-dense languages like Mandarin and English.
Jonathan McWhorter for The Atlantic, “The World’s Most Efficient Languages”
When a language seems especially telegraphic, usually another factor has come into play: Enough adults learned it at a certain stage in its history that, given the difficulty of learning a new language after childhood, it became a kind of stripped-down “schoolroom” version of itself.
In contrast, one cannot help suspecting that not too many adults have been tackling the likes of sǝq’ayǝƛaaɣwǝaɣhaś. Kabardian has been left to its own devices, and my, has it hoarded a lot of them. This is, as languages go, normal, even if Kabardian is rather extreme. By contrast, only a few languages have been taken up as vehicles of empire and imposed on millions of unsuspecting and underqualified adults. Long-dominant Mandarin, then, is less “busy” than Cantonese and Taiwanese, which have been imposed on fewer people. English came out the way it did because Vikings, who in the first millennium forged something of an empire of their own in northern and western Europe, imposed themselves on the Old English of the people they invaded and, as it were, mowed it. German, meanwhile, stayed “normal.”
In Ithkuil, “Tram-mļöi hhâsmařpţuktôx” translates to “On the contrary, I think it may turn out that this rugged mountain range trails off at some point.” 😐
I think we all know John McWhorter is not to be relied upon when he ventures away from his bailiwick of creole languages, which he is frequently called on to do since he has become the go-to linguistics popularizer, but he does have a pleasant prose style and it’s always fun to argue about his overgeneralizations and sometimes wacky obiter dicta (like the one about the Awful Russian Language).
– Steve Dodson, Language Hat, Efficient Languages
From Soutik Biswas’, “The Simpsons: Not all Indians think Apu is a racist stereotype”
“As I see it, there are two primary products that second generation Indian American comedians sell - the ridiculousness of their parents’ ‘culture’ (arranged marriage and ‘my son, the doctor’ are the commonest tropes); and the racism of white Americans,” Professor Chakravorty, who teaches at Temple University in Pennsylvania, told me in an email interview .
“It is not hard to see why these two lowest hanging fruits are plucked all the time. This is very standard fare. Apu is also very standard fare. What Kondabulu has done is nothing new. He picked almost the most identifiable Indian project possible in the US. And he plugged into the market for identity-based outrage.”
and
“I like Apu, in fact I love him. He has a PhD in computer science, but enjoys running his store, he is a valued citizen of Springfield, a ladies man and adores cricket and is funny,” Sidharth Bhatia, Mumbai-based founder-editor of The Wire, told me.
“It reflects true American diversity. The controversy about the stereotyping is classist snobbery - Indians in America don’t want to be reminded of a certain kind of immigrant from their country - the shop keepers, the taxi drivers, the burger flippers,” says Mr Bhatia.
“They would rather project only Silicon Valley successes, the Wall Street players and the Ivy League products, with the proper accents, people they meet for dinner - by itself a stereotype. The millions of Apus in America, the salt-of-the-earth types, with their less ‘posh’ accents, are an inconvenience to that self-image of this small group of Indian-Americans.”
Bingo.
His accent apart, Apu is a Midwestern pillar. Would the critics really have him speak like the other characters in the show, as if to say you’re not American unless you sound like someone from Des Moines? Are all caricatured accents racist? Should we ban “foreigners” from comedy shows altogether?
Naturally not—because we wouldn’t, then, have Apu. And can you really imagine America without him?
– Tunku Varadarajan, Leave Apu Alone – He’s a Great American
To quote Lewis Black entirely out of context: on a list of priorities, this “is on page six after ‘Are we eating too much garlic as a people?’”
We need to swap the Romantic view for a tragic (and at points comedic) awareness that every human will frustrate, anger, annoy, madden and disappoint us — and we will (without any malice) do the same to them. There can be no end to our sense of emptiness and incompleteness. But none of this is unusual or grounds for divorce. Choosing whom to commit ourselves to is merely a case of identifying which particular variety of suffering we would most like to sacrifice ourselves for.
and
The person who is best suited to us is not the person who shares our every taste (he or she doesn’t exist), but the person who can negotiate differences in taste intelligently — the person who is good at disagreement. Rather than some notional idea of perfect complementarity, it is the capacity to tolerate differences with generosity that is the true marker of the “not overly wrong” person. Compatibility is an achievement of love; it must not be its precondition.
– Alain de Botton, Why You Will Marry the Wrong Person
Minute Physics on how Muons reaching terrestrial detectors from the upper atmosphere are direct proof of time dilation/length contraction in Special Relativity.
What a Boss 🙏 💯
Mr. Thomas and the photographer Emily Shur rented a home in Los Angeles for a weekend in May. There, they shot several images that harked back to Mr. Rockwell’s “Freedom From Want,” one in a series of four paintings inspired by Franklin D. Roosevelt’s 1941 speech to Congress celebrating America’s freedom and democratic values.
“The image haunted me because of the world we live in,” the artist said, referring to today’s divisive political climate. “I wanted to imagine what it would look like today.”
Some recreations
– Hank Willis Thomas and Emily Shur
A lot of parodies of the painting here as well.
Roel Nieskens “leveraged the synergy of ligatures” to create a free typeface called Sans Bullshit Sans.
It turns this
The value proposition of our agile mindset and scrum methodology is to enable the emergence of disruptive, convergent, crowdsourced platforms that allow our clients to lean in and engage in collective mindshare on established design patterns using the latest usercentric technologies empowered by the cloud.
into this
Here’s how he made it. Fucking brilliant. I saved a list of the terms and phrases that cause the ligatures. On a related note, I’d be bullshitting myself if maintain any hope of finishing this tiny book at some point.
By Mike Medaglia who’s published an illustrated guide to mindfulness 🙏
As if I needed another reason to fall in love with Tilda Swinton
Swinton penned a phony IMDb biography to keep the secret, and wore fake genitalia, created by makeup artist Mark Coulier, while in character. (“She did have us make a penis and balls,” Coulier told the paper. “She had this nice, weighty set of genitalia so that she could feel it dangling between her legs, and she managed to get it out on set on a couple of occasions.”) Both she and Guadagnino were miffed when their secret got out. “Frankly, my long-held dream was that we would never have addressed this question at all,” Swinton told the Times. “My original idea was that Lutz would die during the edit, and his ‘In Memoriam’ be the final credit in the film.”
– Vulture
😳
Ankeny or Saudi Arabia? If you had to choose one to live in, which would you pick?
Depends. One is full of religious wackos, and the other one is in a desert.
Behold the beautiful Secretarybird 🙌
– Source Unknown
Way out of other birds’ leagues, eats venomous snakes, and “appears on the coats of arms of Sudan and South Africa” 🔥
Designed by Pininfarina all the way back in 1970 (!) 😍 🤤
In addition, engineers have commoditized many technical solutions that used to be challenging in the past 15 years. Scaling used to be a tough challenge, not any more for many companies. In fact, part of my daily job is to prevent passionate engineers from reinventing wheels in the name of achieving scalability. It’s not because we don’t need to solve scalability problems, but because the infrastructure is good enough for most of companies. Building and operating so called “big data platform” used to be hard, not that hard any more. Building machine learning pipeline used to be hard, not that hard any more for many companies. Of course, it’s still challenging to build a highly flexible and automated machine learning pipeline with full support of closed feedback loop, but many companies can get by without that level of maturity.
– via Hacker News (emphasis mine)
Tech Yaks ranks and lists good tech talks.
Some awesome stuff on there, like one of my favorite talks ever by Guy Steele. “Fork Yeah! The Rise and Development of illumos” by Bryan Cantrill, the second-most popular one on the list, is very entertaining and needs to be watched many times (and at 0.75x speed.)
Based on “–All You Zombies–” by Robert A. Heinlein. Sarah Snook is phenomenal. But “John Doe” is an extended, uncredited cameo by Leonardo Di Caprio and I won’t be convinced otherwise.
Like if Rashomon and The Usual Suspects had a child. The ending got me.
Deeply upsetting. One of the best horror movies I’ve ever seen. Anthony Lane of The New Yorker on what gives it its potency
Should you want to measure the psychological disturbance at work here, try comparing “Hereditary” with “A Quiet Place.” That recent hit, for all its masterly shocks, is at bottom a reassuring film, introducing people who are beset by an external menace but more or less able to pull through because, as a team, they’re roped together with enough love to fight back. “Hereditary” is more perplexing. It has the nerve to suggest that the social unit is, by definition, self-menacing, and that the home is no longer a sanctuary but a crumbling fortress, under siege from within. That is why there are no doctors in Aster’s film, and no detectives, either, urgently though both are required; nor does a man of God arrive, as he does in “The Exorcist” (1973), to lay the anguish to rest. Nothing, in short, can help Annie, Steve, and the kids, and they sure can’t help themselves, stationed as they are inside their delicate doll’s house of a world. There is no family curse in this remarkable movie. The family is the curse.
The amazing Colin Stetson did the soundtrack which is somehow even more unsettling than Brian Reitzell’s Hannibal.
If this were a movie:
😴. Watch for Tom Cruise being a stuntmaking beast (esp in the helicopter chase scene.)
Watched with Catherine. Dark, tense, predictable. Uashamed to admit that I thought Logan Marshall-Green was Tom Hardy for the duration of the movie (even after watching “Upgrade” … must’ve been the hair.) Excellent stuff by Lindsey Burdge.
Eh. Some amazing camera work and a great soundtrack.
This is the jingoistic view of American force so familiar from films like ‘Black Hawk Down.’ This is American power as an unstoppable beast.
Yep.
You would be forgiven for asking what religious extremists have to do with a film series that previously focused on Mexican drug cartels. You would also be forgiven for finding this film problematic as it focuses next on a craven terrorist attack in a grocery store. Three suicide bombers enter the crowded building and commit mass murder. We are not spared the image of a mother begging for the life of her little girl. We discover that the terrorists are being smuggled across the border by the cartels. Two of our greatest enemies have now become one.
– Joshua Ruth “Sicario: Day of The Soldado’ is Violent, Problematic and One of the Most Satisfying Sequels in Years”
Watch for a masterclass in tension, Benecio Del Toro being a badass again, and for Isabela Moner’s excellent performance.
Watched with JS and LT. A solid 2.5 hours of Telugu Sampradayam-porn for the 50+ members of your family. Culture and Tradition are static and immutable constructs that are absolutely not subject to examination and revision, especially when it comes to gender roles. Features cameos by yesteryear supporting actors who appear plasticine with the amount of makeup employed.
SM, reminiscing
I was 15 when I first came to the United States. Detroit. There was nothing worth eating in Detroit. Except fudge. And White Castle. And Cheetos.
Wahyu Ichwandardi used MacPaint and Macromind VideoWorks/Director on an old Mac SE to create this wonderful frame-by-frame animation of “This is America”.
Nick Murray Willis does brilliant “animated treatments” of commentary.
As brutal, breathless, and excellent as the first season. Julia Garner, Lisa Emery, and Janet McTeer FTW 🙌
Garner on her portrayal of Ruth Langmore
She’s in a much more vulnerable place. She’s really struggling and having an identity crisis because of her dad. With Season 2, I think you have a much deeper understanding why she behaves like she does. People always go, “Oh Ruth is such a badass character — how does it feel to play her?” And it’s much deeper than that. It’s more that she has no choice.
and
[. . .] I don’t know if you remember, but I had that handbag. And I know it’s a prop, but it’s important because that’s Ruth — she wears something really ugly, but she’ll have the pink handbag she probably got at Walmart because she secretly wants a real leather pink bag. She wants nice things, and you realize this girl is a child.
TIL that they shot the series in Atlanta.
Al Jazeera on godman Gurmeet Ram Rahim Singh:
This is insane:
Chauhan: One day the Guru summoned a meeting of his closest male devotees. There were about 400 to 500 people. He said “We are going to remove your virility. After that, your mind isn’t going to wander. You’ll come closer to God.”
Narrator: Chauhan says he didn’t understand that the Guru was talking about castration.
[. . .]
Chauhan: Guru had put a lot of property under the names of castrated devotees. He knew that we would never get married or have children. When we died, we would leave the property here and he would put his name on our Power of Attorney.
The charlatan is responsible for the most horrifying song I’ve ever seen:
There’s a book by an investigative journalist on the whole sordid enterprise.
How they made it
There’s a teeny version too for $350
Kei Nomiyama and Radim Schreiber take otherworldly photos of fireflies.
The latter will be at the Des Moines Botanical Center exhibiting his “Firefly Experience”
She…
made me feel like years of practicing this…
were in vain. This guy attempts the ‘Pepin Omelette’ with fantastic results
and this chef is from another dimension (starting 3:55)
Update: The magician is Chef Motokichi Yukimura of Kichi Kichi Omurice.
From an old (2010) interview with Anand Wilder of Yeasayer
PP: What do you think of South Asian artists who have also broken into indie/mainstream music success, like Natasha Khan (Bat for Lashes), M.I.A., and yourself? Is there a different responsibility or consciousness involved with being South Asian and a musician in an industry environment where there are so few?
AW: [. . .] The problems facing Indians in America are what? Parents pressuring their kids to become professionals, parents valuing academics over social lives, parents pressuring their kids to marry. When you think about it in the grand scheme of things, these problems are really not that bad! I’m pretty sure Indians are America’s wealthiest ethnic group1 – I think if I was fully Indian, statistically I’d be a richer man! At least more educated. So the only thing holding us back from being in the spotlight is ourselves. Sure there’s probably some institutional racism out there, but I’ve been around the world, and there’s no place as open as America. Europe is an ass-backward, old school place. Everyone who wanted to do something new and interesting with their lives left Europe for America at one time or another. Don’t let all that supposed progressiveness fool you, they’re xenophobic as hell. And I love to visit India, but come on – it is a dusty, corrupt, and chaotic country, with an even more despicable gap between the rich and poor than America’s. Did I mention the dust?!
I embrace being different from your average white musician. That’s part of what I love about my band; we all have different personalities or backgrounds and we try to throw them all into the mix to create something new and interesting sounding. If I can be onstage and inspire some brown kid out there to pursue something artistic, something other than being a doctor or engineer, then I’m doing a good job. And if they want be a doctor or an engineer, good for them! Less competition for me.
Michael Cavna at The Washington Post with a roundup of the cultural appropriation controversy around the movie. Steve Rose at The Guardian:
Some critics are barking “appropriation!” on Twitter and online, but where Ghost in the Shell and Doctor Strange (and there are many more) took a Japanese story and cut-and-pasted in white people, here Anderson engages with Japanese culture and references on an almost scholarly level, while the cast is filled with Japanese names1, from Ken Watanabe to Yôjirô Noda, lead singer of Radwimps to, er, Yoko Ono.
Isle of Dogs is a movie that seems custom-made to set off appropriation dog whistles but, for all its questionable moves, the result is a story that’s one of a kind. If we police boundaries too strictly, we’re stifling the possibility of cross-fertilisation and invention. If you do it well enough, it’s not appropriation, it’s conversation.
Also from that article: “cultural Pinterestism”.
I can watch stop-motion “making of” videos all day and here’s a dismayingly short one on Isle of Dogs:
The sushi scene took 8 months to craft!
Numbers alone aren’t compelling arguments but I counted 26 Japanese actors out of 49 on the (partial?) cast list here↩︎
I slipped in a final question: Why in his autobiography did Popper say that he is the happiest philosopher he knows? “Most philosophers are really deeply depressed,” he replied, “because they can’t produce anything worthwhile.” Looking pleased with himself, Popper glanced over at Mrs. Mew, who wore an expression of horror. Popper’s smile faded. “It would be better not to write that,” he said to me. “I have enough enemies, and I better not answer them in this way.” He stewed a moment and added, “But it is so.”
– John Horgan, The Paradox of Karl Popper
Michael LaPointe writing for The Atlantic on The Pearl of Lao Tzu
But elsewhere in the Miner letter, the curator terms the specimen a “pearlaceous growth,” and stresses that it ought not to be classified as a precious pearl. The gems we commonly know as pearls are formed within the organic tissue of saltwater oysters, whose inner shells possess nacre, or mother-of-pearl, which generates a pearl’s signature luminescent sheen. Compared with these gems, Tridacna-clam pearls are more like porcelain. Indeed, the Pearl of Lao Tzu cuts an ugly figure. Some might liken it to a lump of white clay; others might think it’s an alien egg.
Under U.S. trade law, it’s perfectly legal to call such objects pearls; any shelled mollusk—even a snail—can make a pearl. But gemologists traffic in precious pearls, and discard the rest with a pejorative classification: calcium-carbonate concretions.
I think it looks like a big ‘concretion’ of hardened, polished, chewing gum. Like a misshapen mozzarella ball.
Made a “Literary Clock” inspired by Jaap Meijer’s repurposing of an old Kindle. Might not be a bad use for an old iPad. Reminds me that I need to get Mark Formanek’s Standard Time onto a Raspberry Pi at some point.
Update 08/24/18 There’s an app (of course)
Saw this minor dis by Safari
and then this video on the history of Java. Also by the author: something of a tribute to Flash (RIP.)
One and two. Excellent production and performances. Sunita Chowdhary at The Hindu with a few vignettes from Savitri’s life.
I’ll watch any Ravi Teja movie but this one was dismaying. Here’s a screen capture that should explain why.
Don’t think I could bear to watch the entire series but Vulture’s put together a few clips of Baron Cohen’s guests at “their most gullible”
There are some things that can beat smartness and foresight? Awkwardness and stupidity can. The best swordsman in the world doesn’t need to fear the second best swordsman in the world; no, the person for him to be afraid of is some ignorant antagonist who has never had a sword in his hand before; he doesn’t do the thing he ought to do, and so the expert isn’t prepared for him; he does the thing he ought not to do; and often it catches the expert out and ends him on the spot.
– Mark Twain, A Connecticut Yankee in King Arthur’s Court
The 1.25s interval between each ‘tick’ in the background score of the water planet scenes1 in “Interstellar” indicates the passage of a single day on Earth. #theydidthemath
See also: thalassophobia↩︎
Spielberg managed to Indiana Jones Sherlock Holmes 😐
