
Mel Ramos
1935β2018
Superman, 1962
Oil on canvas
A larger-than-life figure from Ramos's childhood, Superman represented a Depression-era fantasy in which even an ordinary man such as Clark Kent could be transformed into a superhero. A twentieth-century equivalent to the nineteenth-century cowboy, Superman also seemed to embody America's belief in the ultimate triumph of good over evil and its self-perceived role as the definer and defender of that good. By 1962, such moral certainties had been complicated by events such as the Holocaust, the dropping of the atomic bomb, McCarthyism, and the Cold War.