





Richard Cleaver
b. 1952
Mother, Springhouse (Oakland Plantation Series), 2005
Ceramic, wood, freshwater pearls, garnets, glass crystals, bronze wire, metal, gold leaf, and oil paint
Collection of Dorothy and George Saxe
The Madonna-like central figure represents an enslaved nursemaid whom Cleaver imagined might have lived on the Oakland Plantation. She holds a white child (probably the son of the plantation owner) whose masklike face opens to reveal an African American child (likely the nursemaid’s own). Dogs, often used to track runaway slaves, snarl at the nursemaid’s feet, while the twin white girls flanking her hold threatening wood switches. Raised a Catholic and influenced by the sacred rituals and reliquaries he observed as a child, Cleaver’s iconlike work glows with an aura of commemoration and reverence.